References

Formatting indicates contributions from co-applicants and collaborators.

La présentation indique les contributions de cocandidats et de collaborateurs.


Achichi, Manel, Pasquale Lisena, Konstantin Todorov, Raphäel Troncy, and Jean Delahousse. 2018. “DOREMUS: A Graph of Linked Musical Works.” In The Semantic Web – ISWC 2018, Lecture Notes in Computer Science, vol. 11137, edited by D. Vrandečić et al., 3–19, Cham: Springer.

Alatrish, Emhimed S. 2012. “Comparison of Ontology Editors.” eRAF Journal on Computing 4: 23–38.

Antoniou, Grigoris, and Fran Van Harmelen. 2008. Semantic Web Primer, 2^nd^ Edition. Cambridge, MA: MIT Press.

Baca, Murtha, and Melissa Gill. 2015. “Encoding Multilingual Knowledge Systems in the Digital Age: The Getty Vocabularies.” Knowledge Organization 42 (4): 232–243.

Bain, Jennifer. 2015. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge, UK: Cambridge University Press.

Berners-Lee, Tim, James Hendler, and Ora Lassila. 2001. “The Semantic Web.” Scientific American 284: 29–37.

Bizer, Christian, Tom Heath, and Tim Berners-Lee. 2009. “Linked Data: The Story so Far.” International Journal on Semantic Web an Information Systems 5 (3):1–22.

Caplan, Priscilla, and Rebecca S. Guenther. 2005. “Practical Preservation: The PREMIS Experience.” Library Trends 54 (10): 111–124. doi:10.1353/lib.2006.0002.

Chan, Lois Mai, and Marcia Lei Zeng. 2006. “Metadata interoperability and standardization–a study of methodology Part I.” D-Lib magazine 12 (6).

Corthaut, Nik, Sten Govaerts, Katrien Verbert, and Erik Duval. 2008. “Connecting the Dots: Music Metadata Generation, Schemas and Applications.” In Proceedings of the International Society for Music Information Retrieval Conference, 417–422. Vienna, Austria.

Crompton, Jim. 2008. Keynote talk at the W3C Workshop on Semantic Web in Oil & Gas Industry. https://www.w3.org/2008/12/ogws-slides/Crompton.pdf Accessed 2020-11-23.

Coyle, Karen, and Diane Hillmann. 2007. “Resource Description and Access (RDA): Cataloguing Rules for the 20th Century.” D-Lib Magazine 13 (1/2).

Cumming, Julie. 1999. The Motet in the Age of Du Fay. Cambridge, UK: Cambridge University Press.

Cumming, Julie. 2012. “Text Setting and Imitative Technique in Petrucci’s First Five Motet Prints.” In The Motet around 1500: On the Relationship of Imitation and Text Treatment, edited by T. Schmidt-Beste, 63–90. Turnhout: Brepols.

De Uña, Diego, Nataliia Rümmele, Graeme Gange, Peter Schachte, and Peter J. Stuckey. 2018. “Machine Learning and Constraint Programming for Relational-To-Ontology Schema Mapping.” In Proceedings of the International Joint Conference on Artificial Intelligenc, 1277–1283.

Doan, AnHai, and Alon Y. Halevy. 2005. “Semantic Integration Research in the Database Community: A Brief Survey.” AI Magazine 26 (1): 83–94.

Doerr, Martin. 2003. “The CIDOC CRM: An Ontological Approach to Semantic Interoperability of Metadata.” AI Magazine 24 (3): 75–92.

Dragisic, Zlatan, Valentina Ivanova, Patrick Lambrix, Daniel Faria, Ernesto Jimenez-Ruiz, and Catia Pesquita. 2016. “User Validation in Ontology Alignment.” In Proceedings of the International Semantic Web Conference, 200–217. Kobe, Japan.

Jon W. Dunn, Jon W., Donald Byrd, Mark Notess, Jenn Riley, Ryan Scherle. 2006. “Variations2: Retrieving and Using Music in an Academic Setting.” Communications of the ACM 49 (8): 53–58.

Fagan, Jody C. 2010. “Usability Studies of Faceted Browsing: A Literature Review.” Information Technology and Libraries 29 (2): 58–66.

Foulonneau, Muriel, and Jenn Riley. 2008. Metadata for Digital Resources: Implementation, Systems Design, and Interoperability. Oxford: Chandos.

Fujinaga, Ichiro. 2019. “Single Interface for Music Score Searching and Analysis (SIMSSA) Project: Optical Music Recognition Workflow for Neume Notation.” In Proceedings of the Computers and the Humanities Symposium (JinMonCom) 2019 (1): 281–286. Osaka, Japan: Information Processing Society of Japan.

Fujinaga, Ichiro, and Jenn Riley. 2002. “Digital Image Capture of Musical Scores.” In Proceedings of the International Conference on Music Information Retrieval, 261–262.

Gal, Avigdor, Haggai Roitman, and Roee Shraga. 2019. “Learning to Rerank Schema Matches.” IEEE Transactions on Knowledge and Data Engineering, 1–14.

Gangemi, Aldo, and Valentina Presutti. 2009. “Ontology Design Patterns.” In Handbook on Ontologies, edited by S. Staab and R. Studer, 221–243. Berlin: Springer.

Goldberg, Yoav. 2016. “A Primer on Neural Network Models for Natural Language Processing.” Journal of Artificial Intelligence Research 57: 345–420.

Gomez-Perez, Asuncion, Mariano Fernandez-Lopez and Oscar Corcho. 2006. Ontological Engineering. London: Springer.

Graves Mike, Adam Constabaris, and Dan Brickley. 2007. “FOAF: Connecting People on the Semantic Web.” Cataloging & Classification Quarterly 43: (3–4): 191–202. doi: 10.1300/J104v43n03_10

Guha, Ramanathan V., Dan Brickley, and Steve Macbeth. 2016. “Schema.org: Evolution of Structured Data on the Web.” Communications of the ACM 59 (2): 44–51.

Hallo, María, Sergio Luján-Mora, Alejandro Maté, Juan Trujillo. 2016. “Current State of Linked Data in Digital Libraries.” Journal of Information Science 42 (2): 117–127.

Haslhofer, Bernhard and Wolfgang Klas. 2010. “A Survey of Techniques for Achieving Metadata Interoperability.” ACM Computing Survey 42 (2): 7:1–37.

Heath, Tom, and Christian Bizer. 2011. Linked Data: Evolving the Web into a Global Data Space. San Rafael, CA: Morgan & Claypool.

Horridge, Matthew, Rafael Gonçalves, Csongor Nyulas, Tania Tudorache, and Mark Musen. 2019. “Webprotégé: A Cloud-based Ontology Editor.” In Companion of The 2019 World Wide Web Conference.

Kroeger, Angela. 2013. “The Road to BIBFRAME: The Evolution of the Idea of Bibliographic Transition into a Post-MARC Future.” Cataloging & Classification Quarterly 51 (8): 873–890.

Laplante, Audrey. 2014. “Improving Music Recommender Systems: What Can We Learn from Research on Music Tastes?” In Proceedings of the 15th Conference of the International Society for Music Information Retrieval, 451–446. Taipei, Taiwan.

Laplante, Audrey. 2015. “Tagged at First Listen: An Examination of Social Tagging Practices in a Music Recommender System.” Encontros Bibli: Revista electronica de biblioteconomia e ciência da informação 20 (1): 33–54.

Laplante, Audrey, and J. Stephen Downie. 2011. “The Utilitarian and Hedonic Outcomes of Music Information Seeking in Everyday Life.” Library and Information Science Research 33 (3): 202–210.

Lewis, David, David M. Weigl, Joanna Bullivant, and Kevin R. Page. 2017. “Publishing Musicology using Multimedia Digital Libraries: Creating Interactive Articles Through a Framework for Linked Data and MEI.” In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 21–25.

Library of Congress. 2019. “Introduction to Library of Congress Medium of Performance Thesaurus for Music.” https://www.loc.gov/aba/publications/FreeLCMPT/freelcmpt.html. Accessed 2020-11-23.

Library of Congress. 1991. Descriptive Cataloging of Rare Books. 2nd ed. Washington, DC: Cataloging Distribution Service, Library of Congress.

Loesch, Martha F. 2011. “VIAF (The Virtual International Authority File) – http://viaf.org.” Technical Services Quarterly 28 (2): 255–256. doi: 10.1080/07317131.2011.546304

McKay, Cory, and Ichiro Fujinaga. 2009. “jMIR: Tools for Automatic Music Classification.” In Proceedings of the International Computer Music Conference, 65–68.

Michel, Franck, Loïc Djimenou, Catherine Faron-Zucker, and Johan Montagnat. 2015. “Translation of Relational and Non-Relational Databases into RDF with xR2RML.” In Proceedings of the International Conference on Web Information Systems and Technologies, 443–454.

Musen, Mark A. 2015. “The Protégé project: A Look Back and a Look Forward.” AI Matters 1 (4): 4–12.

Page, Kevin R., Sean Bechhofer, György Fazekas, D. M. Weigl, and Thomas Wilmering. 2017. “Realising a Layered Digital Library: Exploration and Analysis of the Live Music Archive through Linked Data.” In Proceedings of the ACM/IEEE-CS Joint Conference on Digital Libraries (JCDL), 89–98.

Pattuelli, M. Christina, Alexandra Provo, and Hilary Thorson. 2015. “Ontology Building for Linked Open Data: A Pragmatic Perspective.” Journal of Library Metadata 15 (3–4): 265–294.

Porter, Alastair, Dmitry Bogdanov, Robert Kaye, Romans Tsukanov, and Xavier Serra. 2015. “Acousticbrainz: A Community Platform for Gathering Music Information Obtained from Audio.” In Proceedings of the International Society for Music Information Retrieval Conference, 786–792.

Raimond, Yves, Samer A. Abdallah, Marc B. Sandler, and Frederick Giasson. 2007. “The Music Ontology.” In Proceedings of the International Conference on Music Information Retrieval, 417–422. Vienna, Austria.

Schema.org. n.d. “Organization of Schemas.” https://schema.org/docs/schemas.html. Accessed 2020-11-23.

Shahi, Dikshant. 2015. Apache Solr: A Practical Approach to Enterprise Search. New York: Apress

Shvaiko, Pavel, and Jérôme Euzenat. 2013. “Ontology Matching: State of the Art and Future Challenges.” IEEE Transactions on Knowledge and Data Engineering 25 (1): 158–176.

Simperl, Elena. 2009. “Reusing Ontologies on the Semantic Web: A Feasibility Study.” Data & Knowledge Engineering 68 (10): 905–925.

Southwick, Silvia B. 2015. “A guide for transforming digital collections metadata into linked data using open source technologies.” Journal of Library Metadata 15 (1): 1–35.

Swartz. Aaron. 2002. “MusicBrainz: A Semantic Web Service.” IEEE Intelligent Systems 17 (1): 76­­–77.

Tillett, Barbara. 2005. “What is FRBR? A Conceptual Model for the Bibliographic Universe.” Australian Library Journal 54 (1): 24–30.

Vellucci, Sherry L. 1998. “Bibliographic relationships and the future of music catalogues.” Fontes artis musicae 45 (3/4): 213–226.

Von Ahn, Luis, and Laura Dabbish. 2004. “Labeling Images with a Computer Game.” In Proceedings of the SIGCHI Conference on Human factors in Computing Systems, 319–326.

Weibel, Stuart L. 1997. “The Dublin Core: A Simple Content Description Model for Electronic Resources.” Bulletin of the American Society for Information Science 24 (1): 9–11.

Weigl, David, David Lewis, Tim Crawford, Ian Knopke, and Kevin R. Page. 2019. “On Providing Semantic Alignment and Unified Access to Music Library Metadata.” International Journal on Digital Libraries 20 (1): 25­–47

Weigl, David M., and Kevin R. Page. 2017. A Framework for Distributed Semantic Annotation of Musical Score: ‘Take it to the bridge!’” In Proceedings of the International Society for Music Information Retrieval Conference, 221–228.

Weiss, Susan F., and Ichiro Fujinaga. 2015. “Imagining the musical past: Creating a digital prosopography of Renaissance musicians.” In Proceedings of the Conference on Interdisciplinary Musicology, 70–71. Shanghai.

Weiss, Susan F., and Ichiro Fujinaga. 2011. “New Evidence for the Origin of Kettledrums in Western Europe.” Journal of the American Music Instrument Society 37: 5–18.

Wiering, Frans , and Emmanouli Benetos. 2013. “Digital Musicology and MIR : Papers, Projects and Challenges.” In ISMIR 201 Late-breaking Session. Retrieved from http://ismir2013.ismir.net/wp-content/uploads/2014/02/lbd4.pdf

Zeng, Daojian, Kang Liu, Siwei Lai, Guangyou Zhou, and Jun Zhao. 2014. “Relation Classification via Convolutional Deep Neural Network.” In Proceedings of the International Conference on Computational Linguistics, 2335–2344. Dublin, Ireland.